Youth and early career Born Harold George Belafonete[1], Jr., at Lying-in Hospital, New York City, New York, Belafonte was the son of Melvine (née Love), a housekeeper (of Jamaican descent), and Harold George Belafonete, Sr., a Martinican who worked as chef in the Royal Navy.[2][3][4][5] From 1932 to 1940, he lived with his grandmother in the village of Aboukir in her native country of Jamaica. When he returned to New York City he attended George Washington High School[6] after which he joined the Navy and served during World War II.[4] At the end of the 1940s, he took classes in acting at the Dramatic Workshop of The New School in New York with the influential German director Erwin Piscator alongside Marlon Brando, Tony Curtis, Walter Matthau, Bea Arthur, and Sidney Poitier, while performing with the American Negro Theatre. He subsequently received a Tony Award for his participation in the Broadway revue John Murray Anderson's Almanac.
[edit] Music career
Belafonte in John Murray Anderson's Almanac on Broadway, photographed by Carl Van Vechten, 1954Belafonte started his career in music as a club singer in New York, to pay for his acting classes. The first time he appeared in front of an audience he was backed by the Charlie Parker band, which included Charlie Parker himself, Max Roach, and Miles Davis among others. At first he was a pop singer, launching his recording career on the Roost label in 1949, but later he developed a keen interest in folk music, learning material through the Library of Congress' American folk songs archives. With guitarist and friend Millard Thomas, Belafonte soon made his debut at the legendary jazz club The Village Vanguard. In 1952 he received a contract with RCA Victor.
His first wide-release single, which went on to become his "signature" song with audience participation in virtually all his live performances, was "Matilda", recorded April 27, 1953. His breakthrough album Calypso (1956) became the first LP to sell over 1 million copies (Bing Crosby's "White Christmas" and Tennessee Ernie Ford's "Sixteen Tons", both singles, had previously surpassed the 1 million mark). The album is number four on Billboard's "Top 100 Album" list for having spent 31 weeks at number 1, 58 weeks in the top ten, and 99 weeks on the U.S. charts. The album introduced American audiences to Calypso music (which had originated in Trinidad and Tobago in the early 20th century) and Belafonte was dubbed the "King of Calypso," a title he wore with some reservations, since he had no claims to any Calypso Monarch titles.
One of the songs included in the album is the now famous "Banana Boat Song" (listed as "Day O" on the original release of the Calypso album), which reached number five pop, and featured its signature lyric "Day-O."[7] His other smash hit being "Jump in the Line". Many of the compositions recorded for Calypso, including "Banana Boat Song" and "Jamaica Farewell," all signed by Irving Burgie, Belafonte and his team were really previously recorded Jamaican mento songs sold as calypso. The original Jamaican versions can now be heard on the "Jamaica - Mento 1951-1958" [8] CD released in 2010.
While primarily known for his Calypso songs, Belafonte has recorded in many genres, including blues, folk, gospel, show tunes, and American standards. His second-best hit, which came immediately after "The Banana Boat Song," was the novelty tune "Mama Look at Bubu," also known as "Mama Look a Boo-Boo" (originally recorded by Lord Melody in 1956), in which he sings humorously about misbehaving and disrespectful children. It reached number eleven on the pop chart.
Calypso (1956)Belafonte continued to record for RCA through the 1950s to the 1970s. Two live albums, both recorded at Carnegie Hall in 1959 and 1960, enjoyed critical and commercial success. He was one of many entertainers recruited by Frank Sinatra to perform at the Inaugural gala of President John F. Kennedy in 1961. That same year he released his second Calypso album, Jump Up Calypso, which went on to become another million seller. During the 1960s he introduced a number of artists to American audiences, most notably South African singer Miriam Makeba and Greek singer Nana Mouskouri. His album Midnight Special (1962) featured the first-ever recorded appearance by a then young harmonica player named Bob Dylan.
As The Beatles and other stars from Britain began to dominate the U.S. pop charts, Belafonte's impact as a commercial force diminished; 1964's Belafonte at The Greek Theatre was his last album to appear in Billboard's Top 40. His last hit single, A Strange Song, was released in 1967, and peaked at number 5 on the Adult contemporary music charts. Belafonte has received a Grammy Award for the albums Swing Dat Hammer (1960) and An Evening with Belafonte/Makeba (1965). The latter album dealt with the political plight of black South Africans under Apartheid. He has been awarded six Gold Records.[9] Belafonte's album output in the 1970s slowed after leaving RCA. He released only one album of original material in the 1980s, Paradise in Gazankulu, coinciding with a stronger focus on politics and activism. An Evening with Harry Belafonte and Friends, a soundtrack and video of a televised concert were released in 1997 by Island Records. The Long Road to Freedom, An Anthology of Black Music, a huge multi-artist project recorded during the 1960s and 1970s while he was still with RCA, was finally released by the label in 2001. The album was nominated for the 2002 Grammy Awards for Best Boxed Recording Package, for Best Album Notes and for Best Historical Album.
The Turn the World Around number on The Muppet Show.Belafonte was the first black man to win an Emmy, with his first solo TV special Tonight with Belafonte (1959). During the 1960s he appeared in a number of TV specials, alongside such artists as Julie Andrews, Petula Clark, Lena Horne, and Nana Mouskouri. He was also a guest star on a memorable episode of The Muppet Show in 1978, in which he sang his signature song "Day-O" on television for the very first time. However, the episode is best known for Belafonte singing the spiritual song, "Turn the World Around," that is performed with Muppets designed like African tribal masks. It has become one of the most famous performances in the series. It was reported to be Jim Henson's favorite episode, and Belafonte did a reprise of the song at Henson's memorial in 1990. "Turn the World Around" was also included in the 2005 official hymnal supplement of the Unitarian Universalist Association, "Singing the Journey."[10]
Belafonte received the Kennedy Center Honors in 1989. He was awarded the National Medal of Arts in 1994 and he won a Grammy Lifetime Achievement Award in 2000. He has continued to perform sell-out concerts globally through the 1950s to the 2000s. Due to illness he was forced to cancel a reunion tour with Nana Mouskouri, planned for the spring and summer of 2003, following a tour in Europe. He gave his last concert on the 25th of October 2003, a benefit concert for the Atlanta Opera. [11] In a 2007 interview he stated that he has since retired from performing.[12]
[edit] Film career Belafonte has starred in several films. His first major film role was in Bright Road (1953), in which he appeared alongside Dorothy Dandridge. The two subsequently starred in Otto Preminger's hit musical Carmen Jones (1954). Ironically, Belafonte's lyrics in the film were dubbed by an opera singer, as Belafonte's own singing voice was seen as unsuitable for the role. Using his star clout, Belafonte was subsequently able to realize several then-controversial film roles. In 1957's Island in the Sun, there are hints of an affair between Belafonte's character and Joan Fontaine. In 1959, he starred in and produced Robert Wise's Odds Against Tomorrow, in which he plays a bank robber uncomfortably teamed with a racist partner (Robert Ryan). He also co-starred with Inger Stevens in The World, the Flesh and the Devil. Belafonte was offered the role of Porgy in Otto Preminger's Porgy and Bess, where he would have once again starred opposite Dandridge, but he refused the role because he objected to the racial stereotyping of blacks in the story.
Feeling dissatisfied with the film roles available to him, he abandoned film in favour of his musical career during the 1960s. In the early 1970s Belafonte briefly resurfaced in a number of films among which are two films in which he starred alongside Sidney Poitier: Buck and the Preacher (1972) and Uptown Saturday Night (1974). In 1984, Belafonte produced and scored the musical film Beat Street, dealing with the rise of hip-hop culture. Belafonte would not star in a major film again until the mid-1990s, when he appeared alongside John Travolta in the race-reverse drama White Man's Burden (1995); and in Robert Altman's jazz age drama Kansas City (1996), the latter of which garnered him the New York Film Critics Circle Award for Best Supporting Actor. He also starred as an Associate Justice of the Supreme Court of the United States in the TV drama Swing Vote (1999). In late 2006, Belafonte appeared in the role of Nelson, a friend of an employee of the Ambassador Hotel played by Anthony Hopkins, in Bobby, Emilio Estevez's ensemble drama about the assassination of Robert Kennedy.
[edit] Political and humanitarian activism Belafonte's political beliefs are greatly inspired by the man that he still views to this day as his mentor: singer and activist Paul Robeson, a man who was in his time a controversial figure for strongly supporting the Soviet Union throughout the Cold War. He strongly opposed not only racial prejudice in the United States, but also western colonialism in Africa. Like Robeson and other black entertainers, Belafonte's success in the arts did not protect him from racial discrimination, particularly in the American South. As a result, he refused to perform in the South from 1954 until 1961. In 1960, President John F. Kennedy named Belafonte cultural advisor to the Peace Corps. Belafonte was an early supporter of the Civil Rights Movement in the 1950s and one of Martin Luther King Jr.'s confidants. He provided for King's family, since King made only $8,000 a year as a preacher. Like many civil rights activists, Belafonte was blacklisted during the McCarthy era. He bailed King out of the Birmingham City Jail and raised thousands of dollars to release other imprisoned civil rights protesters. He financed the Freedom Rides, supported voter registration drives, and helped to organize the March on Washington in 1963.
Belafonte (center) at the 1963 Civil Rights March on Washington, D.C with Sidney Poitier (left) and Charlton Heston.During "Freedom Summer" in 1964, Belafonte bankrolled the Student Non-Violent Coordinating Committee, flying to Mississippi that August with $60,000 in cash and entertaining crowds in Greenwood with his "Banana Boat Song". In 1968, Belafonte appeared on a Petula Clark primetime television special on NBC. In the middle of a song, Clark smiled and briefly touched Belafonte's arm, which made the show's sponsor, Plymouth Motors, nervous. Plymouth wanted to cut out the segment, but Clark, who had ownership of the special, told NBC that the performance would be shown intact or she would not allow the special to be aired at all. American newspapers published articles reporting the controversy and, when the special aired, it grabbed high viewing figures. Belafonte appeared on The Smothers Brothers Comedy Hour and performed a controversial "Mardi Gras" number with footage intercut from the 1968 Democratic National Convention riots. CBS censors deleted the entire segment from the program.
In 1985, he was one of the organizers behind the Grammy Award winning song "We Are the World", a multi-artist effort to raise funds for Africa, and performed in the Live Aid concert that same year. In 1987, he received an appointment to UNICEF as a goodwill ambassador. Following his appointment, Belafonte traveled to Dakar, Senegal, where he served as chairman of the International Symposium of Artists and Intellectuals for African Children. He also helped to raise funds – alongside more than 20 other artists – in the largest concert ever held in sub-Saharan Africa. In 1994 he went on a mission to Rwanda and launched a media campaign to raise awareness of the needs of Rwandan children.
In 2001 he went to South Africa to support the campaign against HIV/AIDS. In 2002, Africare awarded him the Bishop John T. Walker Distinguished Humanitarian Service Award for his efforts to assist Africa. In 2004 Belafonte went to Kenya to stress the importance of educating children in the region. Belafonte has been involved in prostate cancer advocacy since 1996, when he was diagnosed and successfully treated for the disease.[13] On June 27, 2006, Belafonte was the recipient of the BET Humanitarian Award at the 2006 BET Awards. He was named one of nine 2006 Impact Award recipients by AARP The Magazine.[14] Belafonte has been a longtime critic of U.S. foreign policy. He began making controversial political statements on this subject in the early 1980s. He has, at various times, made statements opposing the U.S. embargo on Cuba; praising Soviet peace initiatives; attacking the U.S. invasion of Grenada; praising the Abraham Lincoln Brigade; honoring Ethel and Julius Rosenberg and praising Fidel Castro. [15] Belafonte is additionally known for his visit to Cuba which helped ensure hip-hop’s place in Cuban society. According to Geoffrey Baker’s article “Hip hop, Revolucion! Nationalizing Rap in Cuba,” in 1999, Belafonte met with representatives of the rap community immediately before meeting with Fidel Castro. This meeting resulted in Castro’s personal approval of (and hence the government’s involvement in), the incorporation of rap into his country’s culture.[16] In a 2003 interview, Belafonte reflected upon this meeting’s influence:
Belafonte speaking at the 1963 Civil Rights March on Washington, D.C“When I went back to Havana a couple years later, the people in the hip-hop community came to see me and we hung out for a bit. They thanked me profusely and I said, why? and they said, because, your little conversation with Fidel and the Minister of Culture on hip-hop led to there being a special division within the ministry and we've got our own studio.” [17]
Belafonte was involved in the anti-Apartheid movement. He was the Master of Ceremonies at a reception honoring African National Congress President Oliver Tambo at Roosevelt House, Hunter College, in New York City. The reception was held by the American Committee on Africa (ACOA) and The Africa Fund.[18] In December 2007 he endorsed John Edwards for the 2008 Presidential Election. At the ACLU of Northern California's annual Bill of Rights Day Celebration In December 2007, Belafonte gave the keynote address and was awarded the Chief Justice Earl Warren Civil Liberties Award. On October 19, 2007, Belafonte represented UNICEF on Norwegian television to support the annual telethon (TV Aksjonen) in support of that charity and helped raise a world record of $10 per inhabitant of Norway. Belafonte was also an ambassador for the Bahamas. He is on the board of directors of the Advancement Project. [19]
[edit] Opposition to the George W. Bush Administration Belafonte achieved widespread attention for his political views in 2002 when he began making a series of comments about President George W. Bush, his administration and the Iraq War. During an interview with Ted Leitner for San Diego's 760 KFMB, in October 2002, Belafonte referred to a quote made by Malcolm X.[20] Belafonte said:
“ There is an old saying, in the days of slavery. There were those slaves who lived on the plantation, and there were those slaves who lived in the house. You got the privilege of living in the house if you served the master, do exactly the way the master intended to have you serve him. That gave you privilege. Colin Powell is committed to come into the house of the master, as long as he would serve the master, according to the master's purpose. And when Colin Powell dares to suggest something other than what the master wants to hear, he will be turned back out to pasture. And you don't hear much from those who live in the pasture. ”
Belafonte used the quote to characterize former United States Secretaries of State Colin Powell and Condoleezza Rice, both African-Americans. Powell and Rice both responded, with Powell calling the remarks "unfortunate" [21] and Rice saying "I don't need Harry Belafonte to tell me what it means to be black." [22]
The comment was brought up again in an interview with Amy Goodman for Democracy Now! in 2006.[23] In January 2006, Belafonte led a delegation of activists including actor Danny Glover and activist/professor Cornel West to meet with President of Venezuela Hugo Chávez. In 2005, Chávez, an outspoken Bush critic, initiated a program to provide cheaper heating fuel for poor people in several areas of the United States. Belafonte supported this initiative. [24] During the meeting with Chávez, Belafonte was quoted as saying, "No matter what the greatest tyrant in the world, the greatest terrorist in the world, George W. Bush says, we're here to tell you: Not hundreds, not thousands, but millions of the American people... support your revolution." [25] Belafonte and Glover met again with Chávez in 2006.[26] The comment ignited a great deal of controversy. Hillary Clinton refused to acknowledge Belafonte's presence at an awards ceremony that featured both of them. [27] AARP, which had just named him one of its 10 Impact Award honorees 2006, released this statement following the remarks: "AARP does not condone the manner and tone which he has chosen and finds his comments completely unacceptable." [28] During a Martin Luther King, Jr. Day speech at Duke University in 2006, Belafonte compared the American government to the 9/11 hijackers, saying, "What is the difference between that terrorist and other terrorists?" [29] In response to criticism about his remarks, Belafonte asked, "What do you call Bush when the war he put us in to date has killed almost as many Americans as died on 9/11 and the number of Americans wounded in war is almost triple?
By most definitions Bush can be considered a terrorist." When he was asked about his expectation of criticism for his remarks on the war in Iraq, Belafonte responded: "Bring it on. Dissent is central to any democracy." [30][31]
In another interview, Belafonte remarked that while his comments may have been "hasty", nevertheless he felt the Bush administration suffered from "arrogance wedded to ignorance," and its policies around the world were "morally bankrupt". [32] In January 2006, in a speech to the annual meeting of the Arts Presenters Members Conference, Belafonte referred to "the new Gestapo of Homeland Security" saying, "You can be arrested and have no right to counsel!" [33] During the Martin Luther King, Jr. Day speech at the Duke University in January 2006, Belafonte said that if he could choose his epitaph, it would be, "Harry Belafonte, Patriot." [34]
[edit] Family Belafonte and Marguerite Byrd were married from 1948 to 1957. They have two daughters: Adrienne and Shari. Shari Belafonte, married to Sam Behrens, is a photographer, model, singer and actor. In 1997, Adrienne Biesemeyer and her daughter Rachel Blue[35] founded the Anir Foundation[36] and the Anir Experience. Anir focuses on humanitarian work in southern Africa.
On March 8, 1957, Belafonte married his second wife, Julie Robinson (former dancer with the Katherine Dunham Company).[37] They have two children, David and Gina Belafonte. David Belafonte (a former model) is an Emmy-winning producer and the executive director of the family-held company Belafonte Enterprises Inc.[37] A music producer, he has been involved in most of Belafonte's albums and tours. He is married to Danish model and singer Malena Belafonte, born Mathiesen, who won silver in Dancing with the Stars in Denmark in 2009. Gina is a TV and film actress and has worked with her father as coach and producer in more than six films. Gina is one of the founding members of The Gathering For Justice, an inter-generational, intercultural non-profit organization working to reintroduce nonviolence to stop child incarceration.[37] She is married to actor Scott McCray.
Belafonte lived in a 16-room apartment at 300 West End Avenue (corner of 74th Street) in New York City for 50 years. He moved out in 2007, and sold his entire-fifth-floor apartment to Abigail Disney. She in turn sold it to two separate buyers in 2009, and it is being remodeled into two separate apartments.
In October 1998, Belafonte contributed a letter to Liv Ullmann's book Letter to My Grandchild.[38
Albums [edit] Studio/Live Year Album US Label 1954 Mark Twain and other Folk Favorites 3 RCA 1956 Belafonte 1 Calypso 1 1957 An Evening with Belafonte 2 Belafonte Sings of the Caribbean 3 1958 To Wish You a Merry Christmas Belafonte Sings the Blues 16 1959 Love is a Gentle Thing 18 Belafonte at Carnegie Hall 3 My Lord What a Mornin' 34 1960 Belafonte Returns to Carnegie Hall 3 Swing Dat Hammer 1961 Jump Up Calypso 3 1962 Midnight Special 8 The Many Moods of Belafonte 25 1963 Streets I Have Walked 30 1964 Belafonte at The Greek Theatre 17 Ballads, Blues and Boasters 103 1966 En Gränslös Kväll På Operan (Swedish) Philips In My Quiet Room 82 RCA Calypso in Brass 172 1967 Belafonte on Campus 199 1968 Belafonte Sings of Love 1970 Homeward Bound This Is Harry Belafonte Belafonte By Request 1971 The Warm Touch Calypso Carnival 1972 Belafonte...Live! 1973 Play Me 1974 Belafonte Concert in Japan 1975 Pure Gold 1976 Belafonte's Christmas 1977 Turn the World Around CBS 1978 The Best Of Harry Belafonte RCA 1981 Loving You is Where I Belong Columbia 1988 Paradise in Gazankulu EMI 1989 Belafonte '89 1997 An Evening with Harry Belafonte and Friends Island
[edit] Collaborations Year Album US Label 1959 Porgy and Bess 13 RCA 1965 An Evening With Belafonte/Makeba 1965 An Evening with Belafonte/Mouskouri 1970 Harry & Lena, For the Love of Life 1982 Künstler für den Frieden 1985 We Are the World 1993 Falling in Love Again (two duets with Nana Mouskouri) 2001 The Long Road to Freedom, An Anthology of Black Music Buddha
[edit] Compilations Year Album US Label 2002 Island in the Sun: The Complete Recordings 1949 – 1957 Bear Family 2005 The Essential Harry Belafonte Legacy
10-22-2010, 12:38 PM
willeim andrea willeim andrea
تاريخ التسجيل: 05-01-2002
مجموع المشاركات: 3813
فنان انسان وعظيم تغنى للفقراء وزار السودان وتغنى مع شرحبيل ومع مجموعة الفنانين الغربيين اغنية We are the world وتغنى مع مريم ماكيبا ... فنان نادر وصاحب صوت جميل وعميق.. شكرا وليم..
نورالدين منان
10-24-2010, 04:58 AM
Kabar Kabar
تاريخ التسجيل: 11-26-2002
مجموع المشاركات: 18537
كتر خيرك على جلب اخونا هاري للمشهد السوداني..و تعجبني فيه قدرته على البحث و التوثيق..و قد شاهدت له عمل نادر عن تجربة لتجميع و توثيق الإيقاعات في الكاريبي (هايتي..كوبا..ترنداد..الخ)..و لكم شدتني التجربة و اصالته..و عرفت انه زول واصل..
هنا تجربة..كنت اتمنى أن يوثق لها الكثيرون و الكثيرات.. بما فيهم هاري..
القرع يا وليم..اي والله القرع الواحد ده.. هنا اهديك عملين..و يا ريت تركز فيهم مع القرع.. اتمنى ان تعجبك الهدية الصغنونة انت و ضيوفك..
خلي بالك من الهارب يا وليم..
كبر
10-24-2010, 05:01 AM
Kabar Kabar
تاريخ التسجيل: 11-26-2002
مجموع المشاركات: 18537
Quote: فنان انسان وعظيم تغنى للفقراء وزار السودان وتغنى مع شرحبيل ومع مجموعة الفنانين الغربيين اغنية We are the world وتغنى مع مريم ماكيبا ... فنان نادر وصاحب صوت جميل وعميق..
فعلا في واحده من اجازاتي الطارئه لزيارة الاهل ايام احداث السيول والفيضانات والمجاعه وعلي نلفزيون السودان مباشرتا ..... المشهد: الفنان الشامخ شرحبيل احمد يتغني بي كنستنتون لهاري بلفوند وفي حضور الاخير مع مجمعه من فناني نحن العالم وعلي خشبة المسرح القومي .... قفز هاري بلفونت علي خشبة المسرح وشارك شرحبيل احمد الذي ادي الغنيه علي اروع ما يكون شي عظيم يا استاذنا شرحبيل علي ذاك الاداء وثقة المعلمين الكبار ( بالمناسبه الغنيه هي النانيه المنزله هنا)
حبي وتقديري
10-24-2010, 04:17 PM
willeim andrea willeim andrea
تاريخ التسجيل: 05-01-2002
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الحبيب محمد ابو العزائم الغنيه باللغه العبريه ... بالرغم من ان هناك كلام في الحته دي بس اكيد هاري غني بالسواحليه علما اعتقد في غنية ملايكه وربما بلغات اخري ... الخ ربما تاتي اضاف من احد الاخوان وتتعمق في الحته دي
معزتي
10-26-2010, 09:16 PM
محمد أبوالعزائم أبوالريش محمد أبوالعزائم أبوالريش
تاريخ التسجيل: 08-30-2006
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تعرفوا أغنية there is a hole in the bucket دي دايماً بتذكرني حكاية (المفتاح عند النجار .. والنجار عايز فلوس .. والفلوس عند السلطان .... إلخ) ... هو فعلاً نوع متفرّد من الفن والأداء.
أما أعماله العظيمة التي عرفه بها جمهور جيله ثم الأجيال اللاحقة (ناس نحن) فهي على سبيل المثال (ماتيلدا) و(حقول القطن) و(بنانا بوت) والكثير الكثير.
ياااااه .... شكراً لكما .. فقد وجدت من يشاركني حب هذا الفنان العظيم.
10-30-2010, 04:06 AM
عبدالرحمن إبراهيم محمد عبدالرحمن إبراهيم محمد
تاريخ التسجيل: 10-02-2009
مجموع المشاركات: 2591
سلام لصاحب البوست وضيوفه ، وبوست فعلا يلامس ذكريات أيام الفن النبيل
بروف عبد الرحمن: عاد وعدك دا تنفيذه أكيد من المشقة بمكان ، وطالما إنك فعلاً هيأتنا لهذا الكم من روائع الدنيا ، ياليت تكون عندك المعلومات الكافية عن Paul Simon وتضيفو لينا معاك يديك ألف عافية ياحبيب،،
شكرا للجميع،،
10-31-2010, 06:14 PM
willeim andrea willeim andrea
تاريخ التسجيل: 05-01-2002
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Quote: دي المرة التانية يجي ذكر جوان بييز في فترة وجيزة
... and thanks for the memories … … … Virgil Cain is my name And I served on the Danville train Till Stoneman's cavalry came And tore up the tracks again In the winter of '65 We were hungry Just barely alive I took the train to Richmond had fell It was a time I remember oh so well .. The night they drove old Dixie down And all the bells were ringing The night they drove old Dixie down And all the people were singing They went... "La la la la la la, la la la la la la la la la" .. Back with my wife in Tennessee One day she came to me "Virgil, Look, come see! There goes Robert E. Lee!" Well I don't mind chopping wood And I don't care if the money's no good But you take what you need and leave the rest And they should never have taken the very best .. The night they drove old Dixie down And all the bells were ringing The night they drove old Dixie down And all the people were singing They went... "La la la la la la, la la la la la la la la la" .. Like my father before me I am a working man And like my brother above me I took a rebel stand He was just eighteen Proud and brave But a Yankee laid him in his grave I swear by the blood beneath my feet You can't raise the cane back up when it's in defeat .. The night they drove old Dixie down And all the bells were ringing The night they drove old Dixie down And all the people were singing .. (La la la la la la, la la la la la la la la la) .. The night they drove old Dixie down And all the bells were ringing The night they drove old Dixie down And all the people were singing .. (La la la la la la, la la la la la la la la la) .. The night they drove old Dixie down And all the bells were ringing The night they drove old Dixie down And all the people were singing .. La la la la la la, la la la la la la la la la...
..
11-01-2010, 09:58 PM
willeim andrea willeim andrea
تاريخ التسجيل: 05-01-2002
مجموع المشاركات: 3813
كتر خيرك على جلب اخونا هاري للمشهد السوداني..و تعجبني فيه قدرته على البحث و التوثيق..و قد شاهدت له عمل نادر عن تجربة لتجميع و توثيق الإيقاعات في الكاريبي (هايتي..كوبا..ترنداد..الخ)..و لكم شدتني التجربة و اصالته..و عرفت انه زول واصل..
الاقباس الفوق ده من اخونا كبر
ومدخل ..... ومداخلات عن هاري والمشهد السوداني
ونواصل
11-08-2010, 08:23 PM
محمد أبوالعزائم أبوالريش محمد أبوالعزائم أبوالريش
تاريخ التسجيل: 08-30-2006
مجموع المشاركات: 14617
الرسائل والمقالات و الآراء المنشورة في المنتدى بأسماء أصحابها أو بأسماء مستعارة لا تمثل بالضرورة الرأي الرسمي لصاحب الموقع أو سودانيز اون لاين بل تمثل وجهة نظر كاتبها
لا يمكنك نقل أو اقتباس اى مواد أعلامية من هذا الموقع الا بعد الحصول على اذن من الادارة
willeim andrea
هشام كمال
حبيب نورة
Mannan
Kabar
محمد سنى دفع الله
عبدالرحمن إبراهيم محمد
محمد أبوالعزائم أبوالريش
عبدالمحمود محمد عبدالرحمن
فيس بوك
تويتر
انستقرام
يوتيوب
بنتيريست